Anon – the greatest poet?
December 31, 2014
No doubt this January 1st we’ll all spring out of bed refreshed and ready to seize the promise of a pristine new year. As our clear, crisp minds embark on new creative pursuits, here’s a question to help understand what kind of projects we’re working on and who they’re really for.
Would I be willing to do this anonymously?
In other words: is this for personal gratification or personal enjoyment? Is it something I’m willing to stand behind? Is it worthwhile for others, and/or in its own right? The question is intended to help us clarify our motivations for working on a task.
Anonymity does appeal, however. I remember reading poetry anthologies in school and thinking the best poems were by Anon. Who was this mysterious Anon who wrote all of the bold, simple poems that spoke with such undeniable clarity that they sounded fresh, funny and often alarming centuries later? Now I find myself wondering who these poets were and why their names don’t appear in the anthologies. Perhaps a famous master decided that a straightforward, comic piece didn’t fit her oeuvre. Were they risking controversy? Did they only have one poem to write or thousands? Were they always anonymous or was their name lost over shifting centuries? Conversely, how many poets now exist in name only, a bit like Ozymandias?
This touches on the topic of intrinsic motivation. Some projects are passions and important for our fulfillment and sense of wellbeing. These are some of the most meaningful activities we can do. If I write a story because I enjoy the challenge of expressing myself, I don’t need the approval of others to do so. In fact, in some ways writing becomes more enjoyable if no external recognition is asked for or received. It becomes deeply personal – and its worth won’t be coloured by the opinions of others.
Other projects are valuable because they do have meaning for other people. They could be social, like playing guitar with friends; or inspiring, like painting a scene that stirs emotions. Perhaps a project will benefit a community or directly alleviate someone’s suffering. We might consider still other works, especially those at the pinnacle of a craft, worthwhile purely as aesthetic or innovative achievements – or perhaps because such actions or behaviours are inherently worthwhile. Solving a hard mathematical problem or learning to dance might be good examples (though neither are strengths of mine).
On the other hand, we’re likely to encounter disappointment when we expect our work or art to bring us pleasure because of how it reflects on us. Then we derive little enjoyment from our effort unless it gains us recognition: something we ultimately have little control over.
It’s a good idea to know what kind of satisfaction we’re looking for. Happy New Year!
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